Wednesday, March 23, 2016

March Tea and a Movie and a Book!


My dear friend Michelle visited earlier this month--it's an annual thing for us. We shop, have tea, see movies at the theater, watch tv and movies at home, and, of course, we talk, talk, talk. I look forward to it every year, and it's always hard to say goodbye at the end.

This visit I asked Michelle if she would watch Bright Star (2009) with me. I'd seen it twice already, and I wanted to share it with her. And you know what? I think I loved it even more the third time!


As you may already know, Bright Star is the story of the ill-fated romance between John Keats and Fanny Brawne (played respectively by Ben Whishaw and Abbie Cornish). The film was written and directed by Jane Campion, who also wrote/directed one of my all-time favorite films, The Piano.

I adore the look of this film--it balances the ordinary and extraordinary with an exquisite attention to detail. We see that the feelings shared by Keats and Brawne are powerful and transformative. At the same time, Campion honestly depicts the melodrama of youthful passion (Fanny was only 18 when they met), as well as the ways in which each might have been in love with the idea of love.


As a companion to the film, Campion published Keats' letters to Brawne, along with a selection of his poems. The passion in his letters is, at times, breathtaking:

I cannot exist without you. I am forgetful of everything but seeing you again -- my Life seems to stop there -- I see no further. You have absorb'd me. I have a sensation at the present moment as though I was dissolving -- I should be exquisitely miserable without the hope of soon seeing you. I should be afraid to separate myself far from you. My sweet Fanny, will your heart never change? My love, will it? I have no limit now to my love. (13 Oct 1819)

I wish Fanny's letters weren't lost to us. Apparently the letters she sent to Keats in Italy were buried with him unopened. Fanny mourned him very publicly for years. She did eventually marry, but not until twelve years after Keats' death. Her letters from him were not released until many years after her husband's death, and they created quite an uproar when published. Many thought Fanny was vain and shallow, certainly not worthy of Keats' love. (argh!) However, the 20th century publication of Fanny's letters to Keats' sister offered a different perspective on Miss Brawne--one that apparently inspired director Jane Campion's depiction of her as steadfast and kind.


For my "Bright Star" tea, I chose Brigadoon Breakfast from Adagio, perhaps in memory of Keats' faithful, if infuriating, friend, Mr. Brown. (Contrary to the film, Charles Armitage Brown was not Scottish, or at least wasn't born there, but he and Keats long had a dream of traveling to Scotland together.) Brigadoon Breakfast is a very special Scottish Breakfast blend that only makes an appearance every four years. (It is out of stock until Feb 29 2020!) The official description: "Celebrate Leap Day with this Scottish Breakfast Blend of Assam and Keemun teas. We've added a touch of Silver Needle and blue cornflowers to evoke the blue and white of the Scottish flag that Brigadoon would fly."


To go along with the tea I made scones using this easy-peasy lemonade scone recipe. The funny thing is that Michelle and I tried to make these scones while she was here, but they didn't turn out very well, possibly because I didn't have self-rising flour and instead had to make my own with [possibly outdated] baking powder. (Or did I use baking soda???) Whatever the error, the resulting scones were flat and strange-tasting. My second attempt yielded much better results, though I think they needed to bake a little longer, and I would urge you to use a well-floured biscuit cutter.


I whipped my own cream (not as thick and wonderful as true clotted cream, but still quite nice) and used Crofter's Organic Strawberry Spread. I prefer the Devonshire style of putting cream first and topping with jam. (See this article for more context.) Very tasty!

[Cross-posted at Livejournal]

Friday, January 29, 2016

Setting in fiction


Sonia contemplates a particularly inspiring setting

Recently I participated in my first Twitter chat! One of the questions I barely had time to answer properly was "Any tips for setting in a historical novel?" (Thanks, Abigail!)

Well, I love to talk about setting, because all my stories start with place. As soon as I encounter an intriguing setting, I am eager to know more about its history. An exploration of this history often makes me wonder what sort of people might have inhabited that place and time. Then I wonder what conflicts the setting might create for a character. At this point a story begins to take shape in my imagination.

So, YES, I have tips! And they are very straightforward.

Tip #1: If at all possible, spend time in your setting. This is true for contemporary and historical fiction. For historicals in particular, be sure to visit historic buildings, museums, and historical societies. Living history sites are the best! Take photos and video footage (so easy with a phone these days), grab maps and brochures, and maybe even talk to the locals (especially if it’s recent history). Very often the physical experience of a place will spark all sorts of story ideas. On the other hand, actually being there might lead you to realize that a potential plot point is not realistic after all.

Tip #2: Know your setting so well that you could write a detailed pamphlet or give a tour. Along with visiting the setting, read nonfiction accounts of that place and time. Read other fiction with the same setting—I promise it won’t “pollute” your own story. If you can find diaries of people who lived in that place/time, you’ve struck gold. Take notes as you read—I find that handwritten notes stick in my brain much longer than typed ones. Pretty soon you’ll have quite a stack of information. However, keep in mind that 95% of that information, awesome as it is, won’t show up in the pages of your story. And none of it should show up in passive description. Instead . . .

Tip #3: Treat your setting like a character in the story, and show your protagonist interacting with it. For example, some ideal moments to describe your setting might be:

-- when your protagonist encounters it for the first time. It’s just like meeting another human character for the first time. Is this setting welcoming or hostile? Beautiful or depressing? Familiar or alien? We learn about a character by his or her reaction to a new location.

-- when your protagonist is in conflict with it. Does the character feel contained or smothered by the setting? Does it give her the heebie jeebies? Is your character battling the elements? Corralling cats or small children? A setting that creates conflict can be a source of horror or humor.

-- when it is teaching/inspiring/soothing your protagonist. (This is one of my favorites!) Is there a place that inspires or comforts your character—a place of escape? A place to dream or cogitate? What if that place is under threat somehow? What would your character do?

Above all, don’t just tell us how this setting affects your protagonist—show the character’s awe/alienation/inspiration/comfort through a scene. (See this blog post from Writer’s Digest for examples of showing vs. telling.)

PLEASE feel free to comment with more suggestions about setting in fiction!

[Cross-posted at Livejournal]

Wednesday, January 13, 2016

January 2016 Tea and a Book

This past weekend I accompanied Steve on his trip to NYC for the AALS conference. Once he was finished with sessions on Saturday, we took a long walk through Central Park and rewarded ourselves with afternoon tea in the Plaza Hotel's Palm Court. (We booked in a advance, of course.)


We loved the vibe in the Palm Court -- jazz music, lots of chatter and laughter with great people-watching opportunities. It was especially fun to watch the young ones enjoying their Eloise teas, which included pink lemonade, pb&j sandwiches, and cotton candy, along with more traditional tea fare. (See more about Eloise below.) Here's a more detailed review of the afternoon tea, from which I gather that the Palm Court used to have a more formal atmosphere. Steve and I rather liked the buzzing, upbeat feel to the place. I suppose some might find the music a bit loud, but we did not strain to hear each other.


The tea was perfectly steeped. I enjoyed the Big Ben English Breakfast (a blend of Assam and Yunnan), while Steve chose Thé des Amants, (black tea blended with apple, almond, cinnamon and vanilla). Both teas can be ordered from the Palais des Thés website.


The "New Yorker" tea tray is divine, don't you think? The warm scones are snuggled in the napkin on the lower rack.


Here is a closer look at the sandwiches, which were traditional and tasty, along with the sweets, which were extraordinary. There was no way we could finish it all, but the "leftovers" made for a perfect snack that evening.

And now for the book: The Absolutely Essential 60th Aniversary Edition of ELOISE.

I had a vague notion of who Eloise was, but prior to this tea had never read the book. Of course, I rectified this omission as soon as I got home! The 60th edition of Eloise is quite nice, and I appreciated the essay and scrapbook from Marie Brenner, which included a biographical account of author Kay Thompson and charming notes from illustrator Hilary Knight.

The book is clever and often endearing, but I'm not sure I would have enjoyed it as a child. If memory serves, I was more wrapped up in books about animals or pioneers. Eloise's life at the Plaza would have seemed very alien to me, and though I've always loved books about children with wild imaginations, I think her "trickster" tendencies might have stressed me out a little.

Fortunately, Marie Brenner's essay helped me better understand the appeal: "[Eloise] lived mother-free in a poor-little-rich-girl paradise without rules. As she raced from a mint raid in the Empire Room to spy from the Baroque ceiling of the Grand Ballroom, she lured us into an intoxicating urban fantasy. [...] Eloise was free to express the dark gleams of her inside. She could offer rubber candy to adults and let fly with her opinions. My daughter, Casey, on discovering Eloise when she was six, said of her reverentially: 'She is a bad girl!'"

I'm considering tracking down Eloise in Paris, and Eloise at Christmastime. Any other Eloise fans out there? Please feel free to enthuse in the comments!

ETA: Oh my -- do check out Jama Rattigan's celebration of Eloise!

[Cross-posted at Livejournal]

Friday, December 11, 2015

Friday Favorites: Holiday reads


You know me -- during this season I love to listen to Christmas music, watch Hallmark Christmas movies, and read Christmas-themed fiction. I have four books to recommend, two of which were intended for children (tho they certainly have appeal for adults, as well).

The Children of Green Knowe (1954), by Lucy Boston. Young Tolly is sent to stay with his great-grandmother over Christmas and soon learns that the looming, castle-like house is haunted (!!!). But these child ghosts are long-dead family members, and over the course of the story Tolly learns what happened to them, and eventually must face a dark force that threatens the house. There are more Green Knowe books, and I love the fact that the house is based on a real medieval manor in Cambridgeshire owned and restored by Lucy Boston herself. (It's open to visitors by appointment!) I highly recommend the audiobook with its lovely voice performance from Simon Vance.

Charlotte Fairlie (1954), by D.E. Stevenson (also known as The Enchanted Isle). Ever since enjoying Miss Buncle's Book, I've sought out all the Stevenson books I can find, and this one, with its headmistress heroine who visits a pupil's family castle in remote Scotland, certainly seemed right up my alley! The book is very difficult to find in print, but luckily there is a satisfying and readily available audiobook from Audible.com. I suppose it's a bit of a cheat to include this one--the Christmas bit only comes in toward the end and seems a bit "tacked on"--but it's a beautiful season for bringing everyone together. The romantic impediment strains credulity, but I didn't care! I just enjoyed spending time with these people.

Christmas at High Rising (a collection of stories published in the 30s & 40s), by Angela Thirkell. Only two of the short stories in this collection have anything to do with Christmas, but I especially liked seeing Laura Morland and her son Tony during the holiday season. I also enjoyed the story from Thirkell's own childhood experience of celebrating Christmas at the house of her grandfather, Edward Burne-Jones! If you're interested in reading this anthology, I recommend first reading Thirkell's High Rising, which is linked below (and is set almost entirely during the Christmas/New Year season).

Box of Delights (1935), by John Masefield. Having left boarding school for the Christmas holiday, young Kay Harker comes into possession of a magic box, which he must use to thwart a gang with evil intentions. This story brought to mind many favorites: C.S. Lewis' Narnia books, Edward Eager's Magic series, and Susan Cooper's Dark is Rising series. (I wonder if Masefield was as influenced by E. Nesbit as Lewis, Eager, and Cooper were?) The story has been adapted into several BBC radio shows over the years, and also has a 1984 BBC TV adaptation that I'd love to get my hands on (though I shudder to think of the special effects). It's available in a lovely New York Review Children's Litarature edition (see link above) or on audiobook. My favorite thing about Box of Delights is the character Maria, a very young girl who talks tough and acts even tougher, and no one in the book ever asks her to behave like a lady or any of that rot--so refreshing in a book written so long ago! All in all, the story is not quite as magical as those of Lewis, Eager, or Cooper, but it is unique and charming, and from it I finally learned how to make a posset: fill a bowl with hot milk, an egg, a spoonful of treacle, a grating of nutmeg, "and you stir 'em well up, and you get into bed and then you take 'em down hot." Supposed to revive the weary!

Previously featured Christmas reads:
High Rising, by Angela Thirkell
Winter Solstice, by Rosamund Pilcher

How about you? Any Christmas reads to recommend?

[Cross-posted at Livejournal]

Wednesday, October 28, 2015

Horror movies for Halloween -- 2015 edition!

Every year around this time I like to recap the past year's spooky movie viewing. Perhaps you'll find something here to enjoy during your Halloween weekend festivities? Please share your own recommendations in the comments!

[All plot blurbs and metacritic scores are from imdb.com.]


It Follows (2014)
A young woman is followed by an unknown supernatural force after getting involved in a sexual encounter.

This indie film seemed to be the darling of many critics -- Entertainment Weekly reminded me of it over and over in the months following its release. I don't think I had unreasonably high expectations, but I was let down. Perhaps I just didn't appreciate the concept of a sexually transmitted ghost/demon. I didn't connect to the characters, so the horror wasn't as effective it could have been. But I have to give it credit for being different. (Available for purchase/rental from various vendors)
Watch the trailer. (Metascore: 83/100)


Crimson Peak (2015)
In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds - and remembers.

A gorgeous film dripping with Gothic iconography, Crimson Peak is disturbing, certainly, but a bit too "on the nose" to be scary. I wish del Torro had focused less on ghostly special effects and more on the horror of what we can't see. Still, it's quite a spectacle and, in my opinion, deserves a second viewing. (In theaters now.)
Watch the trailer. (Metascore: 67/100)


Housebound (2014)
Kylie Bucknell is forced to return to the house she grew up in when the court places her on home detention. However, when she too becomes privy to unsettling whispers & strange bumps in the night, she begins to wonder whether she's inherited her overactive imagination, or if the house is in fact possessed by a hostile spirit who's less than happy about the new living arrangement.

This film from New Zealand is quirky and character-driven, with plenty of humor to balance the horror. It takes risks, and perhaps not all of them pay off, but I appreciate the attempt. (Netflix streaming, also available for purchase/rental from various vendors]
Watch the trailer. (Metascore: 76/100)


The Ring (2002)
A journalist must investigate a mysterious videotape which seems to cause the death of anyone in a week of viewing it.

People have recommended this film to me for years, and now I see why. It's not without its flaws, but the performances are strong (I love Naomi Watts!), and the horror lingers long after the film is over. I particularly enjoyed the film-within-a-film component -- I love stories that involve the close study of clues in a film strip, photograph, or sound clip. STRONG warning for animal horror/violence. (Available for purchase/rental from various vendors.)
Watch the trailer. (Metascore: 57/100 -- surprising since this is considered a horror classic?)


The Babadook (2014)
A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.

Anyone wishing to study tension in film should take a look at this Australian/Canadian offering -- at times the tension and dread are almost unbearable. Essie Davis (Miss Fisher!) is brilliant as a single mom struggling with grief and her son's seemingly overactive imagination. One of the best horror films I've seen. [Netflix streaming, also available for purchase/rental from various vendors)
Watch the trailer. (Metascore: 86/100)

Recaps from previous years:
2014 recommendations: Mama, Stoker, and Lake Mungo
2013 recommendations: The Changeling, El Orfanato (The Orphanage), Below, and Janghwa, Hongryeon (A Tale of Two Sisters)
2012 recommendations: The Pact and The Awakening. Also (each a separate post) Dead of Night, The Uninvited, The Innocents, and The Haunting.

[Cross-posted at Livejournal]